In the 1960s the masters of crime fiction expanded the genre’s literary and psychological possibilities with audacious new themes, forms, and subject matter—here are four of their finest works This is the second of two volumes gathering the best American crime fiction of the 1960s, nine novels of astonishing variety and inventiveness that pulse with the energies of that turbulent, transformative decade. In Margaret Millar’s The Fiend (1964) a nine-year-old girl disappears and a local sex offender comes under suspicion. So begins a suspenseful investigation of an apparently tranquil California suburb which will expose a hidden tangle of fear and animosity, jealousy and desperation. Ed McBain (a pen name of Evan Hunter) pioneered the multi-protagonist police procedural in his long-running series of 87th Precinct novels, set in a parallel Manhattan called Isola. Doll (1965) opens at a pitch of extreme violence and careens...
Description:
In the 1960s the masters of crime fiction expanded the genre’s literary and psychological possibilities with audacious new themes, forms, and subject matter—here are four of their finest worksThis is the second of two volumes gathering the best American crime fiction of the 1960s, nine novels of astonishing variety and inventiveness that pulse with the energies of that turbulent, transformative decade.
In Margaret Millar’s The Fiend (1964) a nine-year-old girl disappears and a local sex offender comes under suspicion. So begins a suspenseful investigation of an apparently tranquil California suburb which will expose a hidden tangle of fear and animosity, jealousy and desperation.
Ed McBain (a pen name of Evan Hunter) pioneered the multi-protagonist police procedural in his long-running series of 87th Precinct novels, set in a parallel Manhattan called Isola. Doll (1965) opens at a pitch of extreme violence and careens...